Art and contemporary critical practice: Reinventing institutional critique

Raunig, Gerald; Ray, Gene

Art and contemporary critical practice: Reinventing institutional critique

dc.contributor.author	Raunig, Gerald	es
dc.contributor.author	Ray, Gene	es
dc.date.accessioned	2011-08-26T00:37:02Z
dc.date.available	2011-08-26T00:37:02Z
dc.date.issued	2009
dc.description	266 p.	es
dc.description	Libro Electrónico	es
dc.description.abstract	'Institutional critique' is best known through the critical practice that developed in the late 1960s and early 1970s by artists who presented radical challenges to the museum and gallery system.Since then it has been pushed in new directions by new generations of artists registering and responding to the global transformations of contemporary life. The essays collected in this volume explore this legacy and develop the models of institutional critique in ways that go well beyond the field of art.	es
dc.description.tableofcontents	Contributors vii Acknowledgments xi Preface xiii WHAT IS INSTITUTIONAL CRITIQUE? 1 Instituent Practices: Fleeing, Instituting, Transforming 3 2 The Institution of Critique 13 3 Anti-Canonization: The Differential Knowledge of Institutional Critique 21 4 Notes on Institutional Critique 29 5 Criticism without Crisis: Crisis without Criticism 33 6 Artistic Internationalism and Institutional Critique 43 7 Extradisciplinary Investigations: Towards a New Critique of Institutions 53 8 Louise Lawler’s Rude Museum 63 9 Toward a Critical Art Theory 79 10 Anthropology and Theory of Institutions 95 11 What is Critique? Suspension and Re-Composition in Textual and Social Machines 113 12 Attempt to Think the Plebeian: Exodus and Constituting as Critique 131 13 Inside and Outside the Art Institution: Self-Valorization and Montage in Contemporary Art 141 14 The Rise and Fall of New Institutionalism: Perspectives on a Possible Future 155 15 The Political Form of Coordination 161 INSTITUENT PRACTICES AND MONSTER INSTITUTIONS 16 Instituent Practices, No. 2: Institutional Critique, Constituent Power, and the Persistence of Instituting 173 17 Governmentality and Self-Precarization: On the Normalization of Cultural Producers 187 18 To Embody Critique: Some Theses, Some Examples 203 19 The Double Meaning of Destitution 211 20 Towards New Political Creations: Movements, Institutions, New Militancy 223 21 Mental Prototypes and Monster Institutions: Some Notes by Way of an Introduction 237 Bibliography 247 The Transform Project issues of transversal 261	es
dc.format.mimetype	application/pdf	es
dc.identifier.citation	http://www.qomun.com/k/text/essay	es
dc.identifier.isbn	978-1-906948-02-3
dc.identifier.isbn	978-1-906948-03-0
dc.identifier.uri	http://libros.metabiblioteca.org/handle/001/232
dc.language.iso	eng	es
dc.publisher	London : MayFlyBooks, 2009.	es
dc.relation	http://www.amazon.com/Art-Contemporary-Critical-Practice-Institutional/dp/190694802X/ref=sr_1_1?s=books&ie=UTF8&qid=1314318830&sr=1-1	es
dc.rights	This work is licensed under the Creative Commons AttributionNoncommercial-No Derivative Works 3.0 Unported. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/3.0/ or send a letter to Creative Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA.	es
dc.rights.accessrights	openAccess	es
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/	es
dc.source	http://mayflybooks.org/wp-content/uploads/2010/07/9781906948030ArtContemporaryCriticalPractice.pdf	es
dc.subject	Crítica	es
dc.subject	Teoría Crítica	es
dc.subject	Crítica Institucional	es
dc.subject	Arte	es
dc.subject	Crítica del Arte	es
dc.subject	Institutional Critique (Art movement)	es
dc.title	Art and contemporary critical practice: Reinventing institutional critique	es
dc.type	Book	es